A self-described “second-generation San Franciscan, product of a lousy public school education, a couple of crazy years in art school and too much time spent in newspaper offices and sporting arenas,” Muller is a charming raconteur, onstage and off, and an entertaining, witty and marvelously fluent commentator; no less a literary figure than crime fiction writer James Ellroy christened him “The Czar of Noir.”. “He’s a born showman,” said San Francisco Chronicle movie correspondent Ruthe Stein. “In an earlier time, he would have been organizing the vaudeville acts and introducing them. I love his larger-than-life persona at the festival, and I think audiences really get a kick out of him.”.

The sale items include framed and matted originals, greeting cards and bookmarks, Door prizes wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with will be given away, For more information call Ann Schmidt, 510-792-9130 or the Alameda Historical Museum, 510-521-1233, The board of directors of the Eden Youth and Family Center in South Hayward is hosting its “You Gotta Have Heart” Fundraiser from 5-8 p.m, Saturday, Feb, 5, in the Hayward City Hall Rotunda, 777 B St, Please join them for live music, fine hors d’oeuvres and wine, and both silent and live auctions, Tickets are $25..

But for everyone, it was huge fun joining Tick/Mitzi (Wade McCollum), Bernadette (Scott Willis) and Adam/Felicia (Brian West) aboard a tricked-out bus named Priscilla, bringing disco and drag performance to the Australian Outback (whether the people there want it or not). The reason for this throbbing desert road trip to Alice Springs is not just an excuse to dance to seemingly every 1970s radio hit ever recorded. There’s also the matter of Tick’s 8-year-old son, Benji (Shane Davis), who wants to see his father. Benji’s mother and Tick’s ex-wife (Christy Faber) calls to extend the invitation, and, oh, she happens to need a good drag act to perform at her casino in the desert.

Baumbach films and edits “Frances Ha” for maximum verisimilitude, whether it’s an excruciatingly awkward dinner party or the stalled torpor of a post-brunch Sunday afternoon among the un-coupled, But mostly, he’s captured the sustenance and unspoken romance of female friendship: the way two women light up when they talk to one wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with another and the barely detectable tectonic shift that occurs when they let each other down, “Frances Ha” is about a character who, by her own proud but apologetic lights, “isn’t a real person yet.” As most people who’ve been there know, that’s not inherently interesting raw material, but Baumbach and Gerwig have used it to make a real movie..

Book: “Putin’s Kleptocracy: Who Owns Russia”: Putin may present himself as the virtuous leader who’s saving Russia from falling back into chaos, but author Karen Dawisha presents compelling evidence that he’s actually running a colossally corrupt nation with the help of mega-rich friends. (Simon and Schuster, 2015). RUSSIA TODAY. Pussy Riot in book and film: Three members of the feminist art collective were tried and imprisoned for their 40-second “punk prayer protest” on the altar of Moscow’s Christ the Savior Cathedral. Their story became the subject of a 2013 documentary “Pussy Riot: a Punk Prayer” (streaming on Netflix) and “Words Will Break Cement: The Passion of Pussy Riot” (Riverhead Books, 2014) by Russian-American journalist Masha Gessen, an openly gay opponent of Putin who left Russia out of concern for her family’s safety. Gessen is also a frequent contributor to the New York Review of Books on the nature of autocracy as it could relate to Donald Trump’s administration.