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Notre Dame de Namur University Department of Theatre and Dance, Noel Coward’s “Hay Fever,” and musical tribute to Noel Coward, New dates: 7:30 p.m, Oct, 26, 27, 28 and Nov 2; 2 p.m, Nov, 3, Notre Dame de Namur University Theatre, 1500 Ralston Ave., Belmont, $10, 650-508-3456 or email boxoffice@ndnu.edu, TheatreWorks, “33 Variations.” By Moisés Kaufman, Through Oct, 28, Directed by Robert Kelley, Featuring Rosina Reynolds, Howard Swain, Chad Deverman, Jennifer LeBlanc, Jackson Davis, Marie Shell and Michael Gene Sullivan, TheatreWorks at the Mountain View Center for the Performing Arts, 500 Castro St., Mountain View, ballet shoes b c d $23-$73 (savings available for students, educators, and seniors), 650-463-1960 or theatreworks.org..

The band, led by instructor and professional musician John Evans, who previously served as music director of Half Moon Bay High School for many years, opened the program with the “Naval Sea Cadet March.”. Captain Timothy Cogan, U.S. Navy (Ret.), Band of the West commanding officer, welcomed everyone to the event that is under the direction of Lt. Commanders Steven Nash, senior regional director, Region 12, and Mark Lewis, regional director, Subregion 12-3, both of the Pacific Central Region, U.S. Naval Sea Cadet Corps. The Band of the West is the only band in the U.S.N.S.C. Corps.

As in past years, members of Alameda’s Dance 10/Performing Arts Center will share their talents during dinner, “It’s a fun group of dancers to see,” Grant said, Before dinner and dancing, there’s time for tasting chili made by Girls Inc, of the Island City, the Rotary Club of Alameda, Alameda Education Foundation, High Street Station Cafe, H&R Block, eon Technologies, Praxy’s, APC All Stars, Outlaw Chili and Island Girls, Guests’ votes will be tallied for three People’s Choice awards, while a group of chefs will do ballet shoes b c d a blind-tasting and present three Judge’s Choice awards..

While keeping the allusions of ’50s playfulness alive, all the members of the cast incised the air as though they were etching glass. Underscoring the work’s fundamental optimism, designer Brian Jones created a space of elegantly simple floating window frames and clean, bright lighting. Nestled in the middle of the program was a lugubrious meditation, “Stabat Mater,” a 2002 work by Smuin dedicated to 9/11 in which the late choreographer tried to wrestle the national trauma to the ground.